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Pablo Picasso

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1881

25. Oktober: Pablo Picasso (eigtl. Pablo Ruiz y Picasso) wird als Sohn des Malers José Ruiz Blasco und dessen Frau María Picasso López in Málaga geboren.

1896

Besuch der Kunstschule in Barcelona.

1897

Studium an der Academia San Fernando in Madrid.

1900

Veröffentlichung von Illustrationen durch Zeitungen in Barcelona. Erste Paris-Reise.

1901

Er beginnt, seine Arbeiten mit „Picasso“ zu signieren. Zusammen mit einem Freund gibt er die Zeitschrift „Arte Joven“ heraus.

1901-04

In seiner „blauen Periode“ entwickelt Picasso seinen ersten eigenen Stil mit schwermütigen Figurenbildern, die in verschiedenen Blautönen gehalten sind. In dieser Zeit beginnt er auch, sich der Skulptur zuzuwenden („Sitzende Frau“).

1904

Nach jährlichen Paris-Reisen zieht Picasso endgültig in die französische Hauptstadt. Er lernt Fernande Olivier kennen, die seine Geliebte und sein Modell wird.


1905-07

In seiner „rosa Periode“ bevorzugt Picasso Zirkusmotive in heiteren Farben, so in dem Gemälde „Die Gaukler“. Erste Radierungen und Kupferstiche sowie das Porträt von Gertrude Stein (1874-1946) entstehen.

1908-17

Für den erneuten Stilwechsel sind vor allen Dingen afrikanische Masken ausschlaggebend. Picasso bricht mit der bisher geltenden Ästhetik und wird zusammen mit Georges Braque (1882-1963) zum Begründer des Kubismus: Er bevorzugt zersplitterte Formen und Farben. Das Gegenständliche wird in Werken wie „Frau mit Gitarre“ oder „Ma Jolie“ in geometrische Formen aufgelöst, wobei sich die Strukturen der Abstraktion nähern.

1911-14

Die ersten „papiers collés“ (Klebebilder) entstehen. In deren Folge führt Picasso fremde Materialien wie Sand, Holz und Blech in seine Arbeiten ein.

ab 1915Neben den kubistischen Arbeiten zeichnet Picasso auch wieder realistische Porträts.

1917

18. Mai: Uraufführung des Balletts „Parade“ in Paris. Picasso fertigt für die Inszenierung das Bühnenbild und die Kostüme. Das Libretto stammt von seinem Freund Jean Cocteau (1889-1963), mit dem er auch später von Fall zu Fall zusammenarbeit. Anläßlich der Aufführung lernt Picasso die Tänzerin Olga Koklowa kennen.

1918

Heirat mit Olga. Aus der Ehe geht ein Kind hervor.

ab 1919

Picassos Malerei wird zunehmend „klassizistischer“. Er greift auf antike mythologische Vorbilder zurück.

1924-26

Er arbeitet bevorzugt an großen abstrahierenden Stilleben.

1925

Picasso beteiligt sich mit dem Werk „Drei Tänzer“ an der ersten Ausstellung der Surrealisten in Paris. Der Surrealismus bietet ihm die Möglichkeit zur Verschlüsselung und zur mythologischen Überhöhung psychischer Erfahrungen.

1927

Bekanntschaft mit Marie-Thérèse Walter, die seine Geliebte und sein Modell wird. Sein Werk ist nun von vorwiegend frei figuralen Kompositionen geprägt.

1928/29

Drahtplastiken und die erste Eisenskulptur entstehen.

1934

Angeregt durch eine Reise nach Spanien, nimmt er die Thematik des Stierkampfes in seinem Werk auf.

1935

Die Geburt seines Kindes aus der Beziehung zu Marie-Thérèse führt zur Trennung von seiner Ehefrau.

1936

Picasso nimmt den Direktorenposten des Prado-Museums in Madrid an.

1937

Für den spanischen Pavillon auf der Pariser Weltausstellung schafft Picasso das großformatige Anti-Kriegs-Bild „Guernica“, auf dem er die Zerstörung der Stadt im Spanischen Bürgerkrieg darstellt. Freundschaft mit Dora Maar, die neben Marie-Thérèse seine Geliebte und sein Modell wird. Die „New York Times“ veröffentlicht eine Erklärung Picassos, in der er für die Regierung der II. Republik in Spanien eintritt.

1941

Picasso schreibt die dadaistische Komödie „Wie man Wünsche am Schwanz packt“, die 1944 unter der Regie von Albert Camus privat aufgeführt wird. Er fertigt eine Skulptur von Dora Maars Kopf an, die 1959 als Denkmal für Guillaume Apollinaire (1880-1918) verwendet wird.

ab 1943

Freundschaft mit Françoise Gilot. Aus dieser Beziehung gehen zwei Kinder hervor.

1944

Beitritt zur Kommunistischen Partei Frankreichs.

1945

Picasso wird Vorsitzender des französisch-spanischen Hilfskomitees für republikanische Spanier.

1945-49

Neben der Malerei wird die Lithografie zu einem weiteren Ausdrucksmittel, das seiner spontanen Zeichenweise entgegenkommt.

ab 1947Anfertigung von Keramiken.

1948

Verleihung der „Médaille de Reconnaissance Française“ durch die französische Regierung.

1949

Picassos Lithografie „Die Taube“ wird für das Plakat zum Friedenskongreß in Paris ausgewählt.

1952

Er schreibt sein zweites Theaterstück und beginnt mit der Arbeit an den Wandbildern „Der Krieg“ und „Der Frieden“ für die Kapelle von Vallauris. Picasso und Henri Matisse (1869-1954) unterschreiben einen Friedensaufruf.

1958

Er erwirbt das Schloß Vauvenargues.

1961

Heirat mit Jacqueline Roque.

1962-65

Betonskulpturen.

1963

Eröffnung des Museo Picasso in Barcelona, das später einen Großteil seines Nachlasses erhält.

1968

Picasso fertigt die zwei großen Radierserien „Maler und Modell“ sowie „Die Liebenden“.

1973

8. April: Pablo Picasso stirbt in Mougins (bei Cannes). Er wird im Garten seines Schlosses beigesetzt.

Biograpy


As a significant influence on 20th-century art, Pablo Picasso was an innovative artist who experimented and innovated during his 92-plus years on earth. He was not only a master painter but also a sculptor, printmaker, ceramics artist, etching artist and writer. His work matured from the naturalism of his childhood through Cubism, Surrealism and beyond, shaping the direction of modern and contemporary art through the decades. Picasso lived through two World Wars, sired four children, appeared in films and wrote poetry. He died in 1973.

Early Years: 1881-1900


Although he lived the majority of his adult years in France, Picasso was a Spaniard by birth. Hailing from the town of Málaga in Andalusia, Spain, he was the first-born of Don José Ruiz y Blasco and María Picasso y López. He was raised as a Catholic, but in his later life would declare himself an atheist.

Pablo Picasso’s father was an artist in his own right, earning a living painting birds and other game animals. He also taught art classes and curated the local museum. Don José Ruiz y Blasco began schooling his son in drawing and oil painting when the boy was seven, and he found the young Pablo to be an apt pupil.

Picasso attended the School of Fine Arts in Barcelona, where his father taught, at 13 years of age. In 1897, Picasso began his studies at Madrid’s Real Academia de Bellas Artes de San Fernando, which was Spain’s top art academy at the time. Picasso attended only briefly, preferring to roam the art exhibits at the Prado, studying paintings of Rembrandt, Johannes Vermeer, El Greco, Francisco Goya, and Diego Veláquez.

During this nascent period of Picasso’s life, he painted portraits, such as his sister Lola’s First Communion. As the 19th century drew to a close, elements of Symbolism and his own interpretation of Modernism began to be apparent in his stylized landscapes.

Middle Years: 1900-1940


In 1900, Picasso first went to Paris, the center of the European art scene. He shared lodgings with Max Jacob, a poet and journalist who took the artist under his wing. The two lived in abject poverty, sometimes reduced to burning the artist’s paintings to stay warm.

Before long, Picasso relocated to Madrid and lived there for the first part of 1901. He partnered with his friend Francisco Asis Soler on a literary magazine called „Young Art,“ illustrating articles and creating cartoons sympathetic to the poor. By the time the first issue came out, the developing artist had begun to sign his artworks „Picasso,“ rather than his customary „Pablo Ruiz y Picasso.“


Blue Period

The Picasso art period known as the Blue Period extended from 1901 to 1904. During this time, the artist painted primarily in shades of blue, with occasional touches of accent color. For example, the famous 1903 artwork, The Old Guitarist, features a guitar in warmer brown tones amid the blue hues. Picasso’s Blue Period works are often perceived as somber due to their subdued tones.

Historians attribute Picasso’s Blue Period largely to the artist’s apparent depression following a friend’s suicide. Some of the recurring subjects in the Blue Period are blindness, poverty and the female nude.


Rose Period

The Rose Period lasted from 1904 through 1906. Shades of pink and rose imbued Picasso’s art with a warmer, less melancholy air than his Blue Period paintings. Harlequins, clowns and circus folk are among the recurring subjects in these artworks. He painted one of his best-selling works during the Rose Period, Boy with a Pipe. Elements of primitivism in the Rose Period paintings reflect experimentation with the Picasso art style.


African Influence

During his African art and Primitivism period from 1907 to 1909, Picasso created one of his best-known and most controversial artworks, Les Damoiselles d’Avignon. Inspired by the angular African art he viewed in an exhibit at the Palais de Trocadero and by an African mask owned by Henri Matisse, Picasso’s art reflected these influences during this period. Ironically, Matisse was among the most vocal denouncers of „Les Demoiselles d’Avignon“ when Picasso first showed it to his inner circle.


Analytic Cubism

From 1907 to 1912, the artist worked with fellow painter Georges Braque in creating the beginnings of the Cubist movement in art. Their paintings utilize a palette of earth tones. The works depict deconstructed objects with complex geometric forms.

His romantic partner of seven years, Fernande Olivier, figured in many of the artist’s Cubist works, including Head of a Woman, Fernande (1909). Historians believe she also appeared in „Les Demoiselles d’Avignon.“ Their relationship was tempestuous, and they separated for good in 1912.


Synthetic Cubism

This era of Picasso’s life extended from 1912 to 1919. Picasso’s works continued in the Cubist vein, but the artist introduced a new art form, collage, into some of his creations. He also incorporated the human form into many Cubist paintings, such as Girl with a Mandolin (1910) and Ma Jolie (1911-12). Although a number of artists he knew left Paris to fight in World War I, Picasso spent the war years in his studio.

He had already fallen in love with another woman by the time his relationship with Fernande Olivier ended. He and Eva Gouel, the subject of his 1911 painting, „Woman with a Guitar,“ were together until her untimely death from tuberculosis in 1915. Picasso then moved into a brief relationship with Gaby Depeyre Lespinesse that lasted only a year. In 1916-17, he briefly dated a 20-year-old actress, Paquerette, and Irene Lagut.

Soon thereafter, he met his first wife, Olga Khoklova, a ballet dancer from Russia, whom he married in 1918. They had a son together three years later. Although the artist and the ballerina became estranged soon thereafter, Picasso refused to grant Khoklova a divorce, since that meant he would have to give her half of his wealth. They remained married in name only until she died in 1955.


Neoclassicism and Surrealism

The Picasso art period extending from 1919 to 1929 featured a significant shift in style. In the wake of his first visit to Italy and the conclusion of World War I, the artist’s paintings, such as the watercolor Peasants Sleeping (1919) reflected a restoration of order in art, and his neoclassical artworks offer a stark contrast to his Cubist paintings. However, as the French Surrealist Movement gained traction in the mid-1920s, Picasso began to reprise his penchant for Primitivism in such Surrealist-influenced paintings as Three Dancers (1925).

In 1927, the 46-year-old artist met Marie-Therese Walter, a 17-year-old girl from Spain. The two formed a relationship and Marie-Therese gave birth to Picasso’s daughter Maya. They remained a couple until 1936, and she inspired the artist’s „Vollard Suite,“ which consists of 100 neoclassical etchings completed in 1937. Picasso took up with artist and photographer Dora Maar in the late ’30s.

During the 1930s, Picasso’s works such as his well-known Guernica, a unique depiction of the Spanish Civil War, reflected the violence of war time. The menacing minotaur became a central symbol of his art, replacing the harlequin of his earlier years.


Later Years: 1940-1973

During World War II, Picasso remained in Paris under German occupation, enduring Gestapo harassment while he continued to create art. Some of the time, he wrote poetry, completing more than 300 works between 1939 and 1959. He also completed two plays, „Desire Caught by the Tail,“ and „The Four Little Girls.“

After Paris was liberated in 1944, Picasso began a new relationship with the much younger art student Francoise Gilot. Together, they produced a son, Claude, in 1947, and a daughter, Paloma, in 1949. Their relationship was doomed like so many of Picasso’s previous ones, however, due to his continual infidelities and abuse.

He focused on sculpture during this era, participating in an international exhibition at the Philadelphia Museum of Art in 1949. He subsequently created a commissioned sculpture known as the Chicago Picasso, which he donated to the U. S. city.

In 1961, at the age of 79, the artist married his second and last wife, 27-year-old Jacqueline Roque. She proved to be one of his career’s greatest inspirations. Picasso produced more than 70 portraits of her during the final 17 years he was alive.

As his life neared its end, the artist experienced a flurry of creativity. The resulting artworks were a mixture of his previous styles and included colorful paintings and copper etchings. Art experts later recognized the beginnings of Neo-Expressionism in Picasso’s final works.


Pablo Picasso died on 8 April 1973 in Mougins, France, from pulmonary edema and a heart attack, the morning after he and his wife Jacqueline entertained friends for dinner. He was interred at the Château of Vauvenargues near Aix-en-Provence, a property he had acquired in 1958 and occupied with Jacqueline between 1959 and 1962. Jacqueline prevented his children Claude and Paloma from attending the funeral.[68] Devastated and lonely after the death of Picasso, Jacqueline killed herself by gunshot in 1986 when she was 59 years old.[69]

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